Archive link

Please check the link below for information about a Black Film Collection held in the USA.

http://smu.edu/blackfilms/

Hope it is of help

IMAGES OF BLACK WOMEN ...

The IMAGES OF BLACK WOMEN FILM FESTIVAL returns to the Tricycle Theatre...

The event runs from 27th - 29th March, 2009

As January 31st nears so does the deadline for SUBMISSIONS to the IBW SHORT FILM Awards.

Further info: http://www.blackfilmsociety.blogspot.com

Visit the Official Site: http://www.imagesofblackwomen.com

Sundance Silver Anniversary Goes Black

The 25th Sundance Film Festival 2009 opened this week in Utah and will have more films by black filmmakers than any other year in the Robert Redford owned festival's history.

Shari Frilot, Senior Programmer, says, "The subject matter with which these films deal is remarkably diverse and eclectic, ranging from raw and edgy films to mainstream genre to environmental science. On the whole, this year's selection represents a shift in the quality and diversity of African-American film and the issues as articulated on film. We had so many submissions with such quality and importance as a whole."

One to watch is Good Hair a documentary which has its World Premiere at the festival. It follows comedian Chris Rock who sets out to examine the culture of African-American hair and hairstyles.

"FILM – AND ALL TYPES OF ART – CAN SHOW US THE TRUTH BENEATH AND WITHIN THE HUMAN EXPERIENCE.... I’D LIKE TO SEE ARTS AND CULTURE RETURN TO THE NATIONAL AGE."

-ROBERT REDFORD

www.filmacademy.co.uk

Distribution - Exhibition - Production - Training

Distribution in Reverse Teleclass

I attended a distribution teleclass hosted by Tanya Kersey (info below) a couple of evenings ago. I managed to record it and can send it to anyone interested. Its a big file so cannot post on here. Email me for more details.

As one of Hollywood's most respected and well-regarded entertainment journalists and commentators, Tanya is perhaps best known as the Founder, Publisher and Editor-in-Chief of the entertainment trade publication, Black Talent News and its companion website blacktalentnews.com and as the Founder and Executive Director of the Hollywood Black Film Festival, an annual 6-day celebration of black cinema drawing together established filmmakers, popular film and TV stars, writers, directors, industry executives, emerging artists and new audiences from Southern California and around the world.

I have made her known about what we are doing here with Film London and look forward to her feedback. I will keep you all updated.

www.filmacademy.co.uk

Distribution - Exhibition - Production - Training

CLUBBED Cast Interview - Colin Salmon

Colin Salmon talks about his character "Louis" in the upcoming British film CLUBBED, which is based on a true story. CLUBBED was made by East End based independent production company Formosa Films and is released in the UK nationwide today (Friday 16th January 2009)

I will be monitoring the weekend's box office as the film has been promoted heavily online. Try and go and see it.



www.filmacademy.co.uk

Distribution - Exhibition - Production - Training

B&W 35mm film stock available

Hello all

One of our members, Oz has very generously let us know his workplace has some high quality black and white Kodak 5222 film stock (around 20 x 400ft rolls), and some Fuji stock as well, left over from the James Bond film, Casino Royale. This stock is typically very expensive, but has expired so can't be returned to Kodak.

The Directors at his workplace are keen that it should only be given out to a deserving student or a passionate film maker - someone that will definitely make use of it. So if you or anyone you know have a film project in the pipeline, let me know and I will get in touch. You will probably need to state your film/proposal before any film is handed out.

www.filmacademy.co.uk

Distribution - Exhibition - Production - Training

Screen Nation Awards takes it place at BAFTA

The date for the Screen Nation Awards have been announced, and will take place on the eve of the annual BAFTA Awards, forming part of the film industrys' awards calendar.

Tickets are limited and can be purchased here:

www.screennation.co.uk

To read more about the event visit:

www.blackfilmsociety.blogspot.com

To learn more about Charles Thompson humanitarian efforts visit: www.bridgeovertroubledwaters.org.uk

Best regards,

Elle

Sustained Theatre - Critical Debate for BME creative practice

Thanks to Suhail, for pointing us towards this very useful and stimulating website - which offers critical debate around contemporary BME arts practice.

This is what it says about itself:

"Sustained Theatre is a network and a call to action for all artists to lobby for positive change. This is the first time we, as artists, have had a real opportunity to take centre stage and have a voice in transforming the future of our national theatre.

We want to keep issues relating to Black, Asian, and minority ethnic theatre artists and practitioners alive and in the national debate. To do this, we need you. We want your voices, presenting us with new challenges in order to permanently establish our collective aspirations and standing in the arts. We need you to become part of the process, engage with us through this website – make your position heard to make a positive difference. Network and connect, research and debate: this website is just the first stage of a long-term strategy.

We are aiming to sustain an environment of progressive thinking and action that will redress the balance and shake up the national arts landscape. By providing a platform for creativity and presentation through critical debate, through saving and restoring our national archives, through developing leadership and cultivating international links, we hope to level the playing field for a sustainable future."

Click HERE to go to the site. 

Black Film Society

Hello everyone,

I trust you're well!

The Black Film Society blog and site have now been set up.

You are all invited to contribute and upload content. As discussed this a public forum for posting related content, evoking discussion and the like.

I have also set up the www.blackfilmsociety.ning.com site whilst building the BFS website - the WHO's WHO in the UK Black Film Industry. The site has everything from TV credits to archive footage content etc. It will incorporate the BFS Academy ... and attract paid advertising industry support distribution ticket sales and a host of other bonuses. These conversations are being had presently so more on these later!

Have began spreading the word through a number of actors producers etc about my quest and received very favourable responses. Infact one person is looking for assistance with film production...again more on these another time.

I'm pleased the BFS will act as the portal for all external activity of the group, and the BFDN will remain a closed forum for those on the TNB Cultural Leadership programme.

I have alot of content including film trailers, flyers, posters, courses, events etc which need to be posted uploaded and spoke with Kev on Friday about these, and who vey kindly pointed me in the right direction.

As the blogs will have different audiences there is likely to be some duplication of info. Kev has promised to duplicate postings to BFS and I will do the same with relevant content.

I have sent your invites to be authors separately, as the set up wouldn't allow me to add any written content - do remember to post any personal dialogue on the BFDN blog and that this is a public domain.

Really looking forward to your contributions.

TIA!

Here's to our collective successes!

Cheers!

Elle

Copy of e-circular 13.01.09 to BFDN authors

Peter Packer report on the Dissemination & Consumption of Black Film

This significant report, that we explored in module two of the New Black is now available here.

Also, I'll add all important documents that are ok to share on the blog. 

See the links on the right under "New Black Documents, debate & current thinking'

New Black - Project Site

A project site has been set up on

www.mediaclub.org.uk/projectpier

All Course members / organisers have been invited. You should have login details therefore on email. It's a place that Goals/Milestones, Actions/Tasks, Uploading files, Forums/Discussion on projects.

Hope you use and enjoy.

For more information on, or downloads of projectpier see their site

Make this blog private???

Should we make this site private??

If it's a place to discuss certain issues with the Network and be a bit of working/ team blog then this is what I propose. If it's about the wider cultural / industry debate then there is no need.

If we made it private, then we could use the the blog that Lorraine set up (Black Film Society) as a place for more public debates.

The scope of who is permitted to see a private network is controllable and does not have to be resticted to course members. I could also include key partners Film London , UKFC etc.

An advantage of it being private would be that we can thrash out ideas more 'honestly' without washing our dirty linen in the public eye. However we could also use email to do this anyway. What do you think?

Note to Kevin - administrator.
It can be done - check this link...
http://help.blogger.com/bin/answer.py?answer=42673&cbid=-19i6w933pb2j8&src=cb&lev=topic

Film to watch - Deadmeat

Check out the trailer below for Deadmeat a British movie made by Q a Film Academy member. It features some of the best black UK TV actors on one screen.


For more info visit www.deadmeat.com

THANK YOU

Fwd: African Odysseys/Black Britain

Dear All

 

Please find attached a flyer for BFI Southbank's forthcoming African Odysseys screenings. These screenings are taking place alongside a 10 week course led by Jim Pine exploring the history of Black British film and TV and will make extensive use of the Mediatheque's 80+ title Black Britain collection. Please can you forward to anyone you think might be interested.

 

With many thanks

 

Robin Baker, BFI

 

Everyone's talking about...SLUMDOG MILLIONAIRE

The consensus is...you need to see this film:

Prince's Trust - Free Media Course for unemployed young people - 16-25 - Starting in January - based in the East End

This course is a really good opportunity for unemployed young people who want to gain industry experience and / or employability skills. All expenses are paid by the Princes Trust and they give 6 months of progression support into employment following the course.

If anyone’s interested please contact Katy Reiff on 020 7543 1457 or katy.reiff@princes-trust.org.uk directly.

Places are limited so they need to get in touch ASAP.

Princes Trust: Get Into Digital Media Course 

This 2 week course takes place from 27th January – 10th February 2009. 

It provides an opportunity for young people to create their own short films – from story boarding ideas through to filming and post production editing. Final films will be screened to industry contacts at the end of programme presentation event. It is for any young person aged between 16-25 who is unemployed and is completely free. The Prince’s Trust will also pay travel costs to the venue at Stratford.

Here’s a link for more information on the course. Princes Trust - Get Into Information

Helen Stonelake | Programme Executive - Get Into | The Prince's Trust | 18 Park Square East, London NW1 4LH

T 020 7543 1450 | M 07786 375955 | F 020 7543 7407

The Prince's Trust - helping change young lives. www.princes-trust.org.uk

Embedding video clips on this Blog!

Hi all...I've just sussed out how to embed video into this blog from Youtube, other similar video sharing sites and your from own movie files.

Hit me up if you want anything uploaded.

Kev

Learning the Distribution Business

Here's a link to a site called filmspecific. Stacey Parks focuses on the distribution business as is her background.

I am finding it pretty useful for understanding that world. There are some free resources including a newsletter you can sign up to. If you choose to, this is clearly to data-capture you so eventually you might succumb to investing in a paid subscription. In the meantime, it's worth a look-see.

Film Specific - Distribution School -
filmspecific distribution school

Maybe you know of other such resources..

Brother Outsider: The Life of Bayard Rustin

Hello everyone – an invite for you all if anyone is interested. Thought it was particularly interesting since we’re talking about niche audiences… to celebrate Lesbian Gay Bisexual and Transgender History Month Watershed we will be holding a special event with a particular focus on race.

We will be screening a documentary on Sun 1 Feb rarely shown in the UK called Brother Outsider: The Life of Bayard Rustin which we’re importing from the US especially for the occasion. It’s about the life and work of openly gay black activist Bayard Rustin and the forgotten contribution of gay men and women to the Civil Rights movement – Rustin was the mechanic of the March on Washington. It was in the official selection for Sundance in 2003, has won numerous best documentary awards and recently enjoyed massive demand at South Africa’s Out in Africa Festival. FFI see http://rustin.org.

It’ll be screening with a short film called Look Again which deals with an inter-racial lesbian couple and immigration laws in the US.

It's a rare chance to see this film in the UK so if any of you personally would like a jaunt up to Bristol to see it let me know! If you have any mailing lists etc you would be happy to pop this on I have film copy/pictures if interested – please just get in touch: claire.stewart@watershed.co.uk

See Brother Outsider trailer below:

Organising Accessible Screenings - an ICO course

This is interesting...for those of us who need to consider access, particularly for deaf & disabled audiences....

Organising Accessible Screenings

3rd February 2009, London

Do you want to ensure that your film screenings and events are welcoming for deaf and disabled audiences?

The Independent Cinema Office and Shape, the UK's leading disability arts organisation, have got together to develop an essential training course that will provide a wealth of practical information on making your cinema, arts centre, film festival or film society accessible.

The course is a must for programmers, audience development officers, marketing and communications staff, managers, administrators, events staff and fundraisers.

The course will cover:

* Disability equality - core concepts and appropriate terminology

* The Disability Discrimination Act - what the law means for your organisation

* Customer care - Techniques that enable your front line staff to warmly and respectfully welcome deaf and disabled people

* Screening considerations - Assistive technologies and physical access in the auditorium

* Marketing - Practical guidance on producing accessible publicity materials

* Guest speakers - Real life case studies from QUAD cinema and the Oska Bright Film Festival (Winner of National Lottery Best Arts Project 2008)

Check ICO's website for details of how to participate:

www.independentcinemaoffice.org.uk

Tate: Remixed

Tate: Remixed is a digital media collaboration between B3 media and Tate.

Four spoken word artists and film-makers were comisioned to produce a series of short films based on their interpretation of three Tate exhibitions: Turner Prize 2008, Mark Rothko and Francis Bacon.

FEATURELAB - deadline Friday 16th Jan!!

The deadline for 'Featurelab', is fast approaching!

The initiative is to support Black writers and directors to make a full feature film - a partnership between Film 4, B3 Media, Binger Filmlab and Skillset.

The application process looks pretty straightforward, starting with the submission of your idea.

The selected ideas will get development support from top professionals.

For more information and to download the application form & guidelines here.

Filling the Void - Advertising Excellence: Panel 7/01/09

Panel Left to Right: Jonny Green, Technical Director of the award winning, Franki & Jonny Design Agency; Bill Thompson - consultant, expert in new media and technology and commentator on digital culture...and also helps to run Cambridge Film Festival.

Jonny began be giving some background on the work done by his agency from designing sites for Film London, to titles for films such as Run Fatboy Run. They specialise in branding.

Showed their work on branding and developing the designs, marketing materials and online presence for  Sugarhouse; see the full site here.

"Start the campaign as early as possible" Often the 'formal campaign will begin 6 weeks before launch.

"Think that the marketing & designs needs to be developed alongside the film rather than as an afterthought"

"Location content i.e. film connected material, footage, stills etc, that can provide a backstory - is really underused in terms of marketing...but often very attractive to audiences and media to create and sustain interest, yet relatively cheap and easy to generate, produce & use."

Mentioned a film Waterlillies - a relatively 'niche' film they worked on, where they decided to make the first 6 minutes of the films available on line - and monitored the online activity, offering some really helpful information to help identify potential audiences to follow up.

The main theme seem to be just how much opportunity there is to creatively utilise on-line presence to actively engage, monitor and build your audiences.

Bill Thompson: began about how, with the Cambridge Film Festival, they've been creative in their use of volunteers and free on line resources for large parts of the festival's infrastructure, such as:

VIMEO - a better, more user friendly Youtube like site, that has gained a reputation for catering for a high end, artistic crowd because of it's ability to handle longer and higher resolution content,

Blip TV - a great, free, video blogging resource

Twitter  - a free, real time social networking resource, that allows users to send and read other usesr updates.

"...keep in mind that although these things are free...it does cost you your time!"

"Your marketing needs to be integrated"...i.e. it knots together, makes sense and is coherent both separately and as a whole.

Bill talked about the fact that these resources are out there and being used, but, not necessarily being used that well or exploited fully. 

One of the messages here seems to be - If you set these things up...make sure you use them, have the time to use them and consistently use them.

Discussed the value of obtaining and monitoring for audience/customer personal data - and for the consumer to understand the value of this data. 

Highlighted how easily it is now, with new technologies such as bluetooth, GPS etc - to reach people and taylor information to them.

For successful recording and webcasting of panels at your festival you'll need: a Mixing desk at the front, fast internet connection, & VGA projector, laptop, DV camera into a firewire port.

Be aware of poor acoustics in cinemas and manage questions from the audience via a headset so its properly recorded and you can summarise and relay it back from the to the panel coherently.

Recommended book: The Power of Organising without Organisations. an authorative, accessible and useful analysis of Web 2.0 - looking at social networking a new media.

Also recommended: How to Build a Website for Free.

What a Cinema Wants - Panel 7/1/09

Panel left to right: Claire Binns - Director of Programming, City Screen; Stuart Brown - Head of Events, BFI Southbank; Mark Cosgrove - Head of programming, The Watershed (Bristol).

In introducing the Watershed, Mark mentioned an interesting year round programme of work with the Watershed, looking at music and 'migratory peoples' called Migrations. 

See here for more information.

A tip shared by all three panelists when pitching to them (cinemas/venues) is research what they do and be able to identify how it fits with the venues objectives and targets.

& "Keep it succinct"

Stuart: "We are interested in creating as diverse an audience as possible"..."How can (your) programme help us".

Mark: "I like to see proposals that are part of (say) a 5 year development....I don't want just one offs".

"Make sure that your contacts (and claims) are legitimate....we're long in the tooth and know!"

Stuart: "Really, by your fifth year, you should be looking to have achieved a commercial sponsor/partnership"

Claire: "...it also carries weight when convincing us to get involved"

Claire: "we (City Screen) sometimes help negotiate with distributors on behalf of the festivals to secure films, premieres etc....for example with the Human Rights Watch Films Festival."

Stuart talked about the importance of building an audience over time and maintaining that relationship as with his experience with Blactronica.

"We are looking for a monthly Black focused event to take it's place"

When pitching..."Don't be impatient"..."dont be disapointed (or put off) if we don't write back...it could be that it's just doesn't fit at that time....be persistent"

New Black Networks...well can we?

Rob put together a presentation capturing the discussion of the group looking at how we could move forward and evolve an active network, with mutual benefits, that could add value both to our own individual and collective activities and also to the sector and the UK overall.

For the full presentation click here.

Panel: Moving Targets - Marketing and Audience Development

Left to right: Dean Ricketts founder & MD the Watchmen agency also involved with Blacktronica;

Hannah Kerr, Shoreditch Audiences  Chair: Suzy Gillet, Programmer at Mosaiques Film Festival; Emma Courtney - Courtney Consulting.

Dean gave some background, talking about the social campaigns that the Watchman agency have been involved in and Blacktronica, regular event in housed at the NFT, partnered by BFI to promote black film and music (founded by DJ & spoken word artists Charlie Dark).

Hannah began by talking about Shorditch Audiences focus being their community. Their programme on mainly live events is dictated by the community and their audiences and is very participatory for example using advocates from the community to promote the activities.

They also work with other key venues and organisations to secure access to the arts for their communities.

Interesting and different model of working with audiences to access work, largely through involving their community as full creative participants, creating ownerships and advocacy.

Emma started by giving an example of her work with the Welsh National Opera - Opera being a sector that traditionally has great challenges developing audiences.

Her strategy was to bypass the usual technical knowledge and historical knowledge required or expected of audiences - which also put off new audiences and focus on the universal appeal of the emotional experience. They employed a clever marketing tool - printed tissues with information about the Opera (La Bohemme).

"ADIA - Attention - gain your audiences' attention, Desire - create desire amongst your audiences, Interest - create an educated interest in the product,  Action - turn the interest into action plans to participate purchase"

Also going on to give an example of work with the Carnival sector. An excellent presentation - Emma will be sending out the presentation to the group check view the presentation here (also in 'useful links').

Emma made a good point that the audience reaction to your content builds your reputation, loyalty, trust.

Recommended the Heritage Lottery, Voluntary Arts Network and National Statistics for some very useful templates, stats and information sheets to help audiences development and marketing strategies.

Building Audiences: Top Ten Tips

1. Know your audiences (Research - test your proposition)

2. Build and Leverage partnerships, networks & communities

3. Make customer relationship management your manta : Attract - Retain - Enhance

4. Integrate your communications and choose your channels with care and creativity

5. Harness the power of PR

6. Define your selling proposition - succinctly

7. Recruit credible champions that your audiences will respond to

8. Leverage your value proposition

9. Make your product/event easy to access removing as many barriers as possible

10. Evaluate your success and failure

A discussion evolved asking the question 'should we worry about focussing on Black audiences as opposed to  a general audience'. (Paraphrasing) Dean made a good point that whatever your bias, we should at least consider how we develop a future generation of Black audiences and grow a culture of participation and access for Black communities.

"Why do you need to see this film?"

Happy Souls Festival - celebrating the best in Black & Asian films, specialising in attracting hard to reach BME communities and people suffering from Mental Health issues in these communities. See info on Happy Souls Festival here.

Black Film Society

Have a look a the new blog by Lorraine launching the Black Film Society.

Please take a few minutes to have a look as you're all invited to come on board as founding members!!

You can check the blog here.

"...add value & let us know what you want...let's take this pioneering venture forward".

Lorraine is exploring ideas to invite patrons...who do you think could come on board?

Panel: From The Margins To The Centre

Panelists; Chair - Dr Peter Packer  (right) Strategy adviser Uk Film Council and founder of the London Lesbian & Gay Film Festival; Rachel Millward (left), Director - Birds Eye Film Festival; Lois Savy (middle left), Director Sci-Fi London Film Festival and Robin Baker (middle right), head archiver & programme director, BFI Mediatheque.

Right to left: Peter Packer, Robin Baker, Lois Savy, Rachel Millward.

PIC HERE TO FOLLOW

The panel is to explore how niche festivals and film product can attract wide audiences and come into more mainstream public view.

Chair Peter Packer began by referring to the report "Towards a wider dissemination...Black Film Conent'.

Setting the context for the discussion, Peter highlighted three overarching ideas:

1. Knowledge & focus on the programme itself - 'know your films intimately, their context and wider relevance'

2. Marketing to your niche - working towards 'ownership' by your audience, networking.

3. The 'User Experience' - the experience of the audience: being interactive and participatory.

Robin Baker began by giving an overview of the BFI's Mediatheque, it's role for archiving British Film & TV and it's resources available both to audiences/the general public interested in film, but also film-makers and festivals.

Highlighted, as an example, a collection called 'Black Britain' which set out to collate and archive British Black film. 

Referred to the Mitchell & Kenyon films, archived by BFI - fascinating early films from 1900, showing everyday British life and talked about how they invited the public to come into BFI to view, comment, document and add (via video, written and oral recording) their own memories to build up the body of knowledge and thoughts around the films - creating a wider ownership , deeper, more personal experience and critical debate.

Robin encouraged the group to contact BFI about their archive library of films and footage, much of which is available for festivals, film-projects and research.

Also available for use on websites, often for free.

See an example of a BFI archived film, digitised and posted to Youtube below:



Rachel made an interesting point about how they (Bird's Eye festival) went after 'big name' patrons as deliberate strategy to raise profile, combined with creating a media freindly story about the festival in order to develop significant and wide public interest/appeal.

They have struck a good balance between serious and accessible programming and public image to attract a wide audience.

Also talked about how they aligned their festival with collaborating associated events such as running a 'Women in comedy' film programme alongside live comedy events, presentations by well known Women comedienes and International Women's week; therefore exponentially increasing awareness, cross-fertilise audiences and enhance/widen the audience experience.

See the trailer shown by Rachel below:




Lois Savy talked about how the London Sci-Fi Film Festival is primarily focused on entertaining; so the the marketing message is 'you will be entertained first', not necessarily focused on a thematical message other than the context of the Sci-Fi genre and it is this that has proved to be successful for them.

"Content, Context and Consistency is the Key.....How do you speak to your audience"

"How do you create a buzz....making the screening an 'event" Eg Robin's example of 'Sing a Long Sound of Music' participatory screening.

Rachel made an excellent point about 'year round association' in order to help you secure access to films/film-makers and raising and embedding your brand. I.e. a strategy of constantly communicating and promoting your work, constantly being in touch with your audience and the sector.

"Newsletters, competitions, website updates, RSS feeds and year round regular screenings outside the main festival"

Lois: "the reason we get commercial sponsorship is because we treat the screenings like events and heavily brand the on-site activity as well as marketing"

"Use your volunteers/monitoring to capture the RIGHT info that will help you sponorship case: How did they find out about us, how did you get here, which sponsors did they notice, what did you buy".

"Think about incentives like Goody bags"

"Build up trust with your audience"

Towards the wider Dissemination & consumption of Black Film Content

The group examined the above titled report commissioned by Film London, written by Peter Packer reviewing the current activity and strategic direction.

See report here. (To follow).

New Black Module 2 begins, Jan 09: Audience Development

Film London welcomes back the group of Black film exhibitors, film-makers and producers for the second Module of 'The New Black'.

Over the next two days, The New Black will explore Audience Development.

Check here for the overview document of Module 2.

As an example of new Audience Development strategies, we began by discussing the recently released low-budget (£100k) horror film release Mum & Dad, part-funded by Film London through their Microwave scheme. 

Significant for the fact that it was simultaneously released across all formats - theatrical, online/download and DVD; one of the first times this has happened.  

Also noted for a significant on-line marketing strategy.

Check the Facebook campaign here.

Karen used the example of Mum & Dad to discuss marketing strategies that focus on exploiting a film's appeal within a genre (in this case horror) in order to develop an audience, targetting an identified demographic.

Also illustrated the significance of the timing of the release to maximise seasonal audiences (Mum & Dad)  or to consider festival and award seasons (Slumdog Millionaire).

Karen mentioned an interesting new release, Ghajini, a Bollywood remake of Mememto. Released on Christmas day.

Rob mentioned another low budget British indie film called Cass (2005). about the life of notorious Black British football holigan, Cass Pennant containing a catavgting central performance by Nonso Anozie.

See the trailer for CASS below: